As the three of them stood in front of the bed, as their faces glowed in the flicker of the candles around the room, Kincaid began to introduce and explain the ceremony the Kalchakra, as he signaled the beginning of the ceremony by saying, “...when one is bereft of inner peace the most pleasant external action is unable to bring happiness to the mind. The notion and sense of 'I' is a mere projection on the four or five psychophysical aggregates that make up the person. Yet this sense of I, which is possessed by us all, even the smallest insect, innately seeks to find satisfaction and to avoid misery. “Protégés, you may now begin the ceremony, please disrobe the courtesan and place her in the lying down position.”
At their mentor’s command, Atikur and Arjun stepped up to Michele and slowly unwrapped the silk sari that covered her body until finally, with a slight tug, it fell gently to the floor leaving Michele with nothing on except her black stiletto pumps, which Kincaid instructed to wear during the entire ceremony. Kincaid believed that the site of Michele receiving the pleasure of the Kama Sutra in her pumps would add a great deal of eroticism to the entire spectacle. After she was fully disrobed, Kincaid ordered the protégés, in French to lay Michele gently on her back in the “Lying Down Position.”
Michele was then grasped, on either side and picked up by her limbs and laid gently down on her back by the strong boys as Kincaid explained, “As you can see, and now doubt smell, our courtesan is secreting her vaginal juices in anticipation of initiating these young men. Arjun and Atikur, please draw up both her knees until they nuzzle the curves of her breasts; her feet. Small girls love this posture, but becoming a goddess takes a lot of practice. Michele, please cup and lift your buttocks with your palms, then spread your thighs wide and your heels besides your hips, while you continue to caress your breasts.”
As Michele followed and acted out Kincaid’s command, he turned to the class and said, “this is "Utphallaka, which is known as “The Flower in Bloom.”
”Now I want you Atikur to grasp the courtesan’s ankles, whose round buttocks are the shape of two ripe gourds, and then raise her beautiful thighs and spread the thigh-joints widely, and then, full of desire, say sweet English words as you approach her with your body, and drive your cock straight forward to pierce her lotus and join your limbs. This class is what the experts call "Madandhvaja" or ‘The Flag of Cupid’.”
Atikur, who had won the coin toss to see who would be the first to feel Michele’s velvety pussy, slowly sank his throbbing and Ultra-Viagra enhanced seven inch cock into Michele as she moaned loudly in desire as Atikur slowly began pounding into her sopping cunt as he awaited his next instruction while he slowly fucked his mentor’s lover. After about three minutes of letting the boys in the classroom observe, from the side view, Atikur spearing his cock into Michele, Kincaid then commanded him to “Catch hold of her two feet, raise them until they press upon her breasts so that her legs form a rough circle. Then clasp her neck and make love to faster. This class is what they call "Ratisundara," or as it is known in the west, Aphrodite’s Delight.”
Atikur held Michele firmly by the neck with his strong palms, as he began to pump more vigorously into her pussy for approximately another seven minutes, as Michele continued to moan as she urged her lover on with small cries and whimpers of desire, all of which Kincaid had timed out to the second, for the exact reason that he did not end the session to late to be discovered by the museum staff. Atikur, who was now nearly ten minutes into becoming a man, had a look of pure ecstasy on his face as he leaned down to taste Michele’s lips and tongue for a long two minute French kiss.
Kincaid, who remained coolly detached, but who was very aroused, looked at his watch and then said to Atikur, “Now lift Madamoiselle’s feet until her soles lie perfectly parallel, one to each side of her slender throat, then cup her breasts and enjoy her. This technique gentlemen is "Uthkanta," or as we commonly refer to it as, the throat-high fuck. Now Michele I want you grasp your ankles, and draw them up until they reach your hair.” As Michele grasped her ankles and raised high her feet toward her hair, Kincaid commanded Atikur to “catch her breasts and make love in the "Vyomapada" or ‘Sky-foot’ position.” Which the now sweaty student now did as Michele turned her head to see the young men intently watching her get fucked, while at the same time she felt small drips of sweat roll down her neck.
After a few more minutes Kincaid said, ”Now Michele, I want you to grasp your ankles again and raise your lotus feet higher, and Atikur, when her feet are at their highest I want you to perform ‘the monkey’ by striking her to the root, while at the same time kissing and slapping her breasts with an open-palm.” As Michele raised her legs up and further over her head, Atikur smiled at her with his handsome lust filled face and speared into her so quick and hard that she cried out in surprise as he then kissed and slapped her breasts as he introduced her to “The Monkey.”
Michele was fucked for another several minutes until Kincaid said to Atikur, “now sit between her parted knees, raise them, hook her feet over your thighs, catch hold of her breasts, and enjoy giving Michele the "Manmathpriya," which romantics call the ‘Dear to Cupid’ position.” The command caused Atikur to work even harder as he his cock began to twitch with an impending orgasmic release that Michele truly wanted to feel as she urged him on until finally Kincaid said that it was time to explore the lying down positions of the Samputa group with Arjun, who was desperately waiting for his turn.
Michele cooed in pleasurable delight as Atikur withdrew, though she knew she would feel him again, and Arjun approached the bed to begin the next lesson, as Kincaid instructed his protégé to demonstrate the lying down postures of the Samputa group first before graduating to the sitting positions. Arjun then removed his trousers and took his place on the bed next to Michele, as he whispered to her “just relax and let me do all of the work” as he kissed her deep and then performed the first of the Samputa positions as he laid parallel to Michele’s body and caressed her body length from her toes to his thighs as she kissed her newest of twin young lovers stroked her and forced purring noises from her throat as she continued to watch the men watch her perform.
As Michele and Arjun continued their sensual make out and petting session, her young lover continued on as Kincaid provided commentary about the Pidita position of the Samputa group, the two passionate lovers interlaced their thighs and squeezed each other in a soft rhythm as he slipped his thin cock into her moist and waiting cunt, while at the same time they continued on exploring each other’s body. After several minutes Arjun whispered into her ear, after Kincaid had moved on and began talking about the next position, and told her to cross and roll her thighs inward so as to strengthen her pussy’s grip on his cock and milk him. Kincaid explained that Arjun and Michele were slowly making their way to the "Vadavaka," or the Mare’s Trick, which, “can only be perfected with long practice. When she uses it, a woman should cease to kiss her lover and simply hold the lock. Courtesans are adept at Vadavaka, and it’s a specialty with ladies from Andhra Pradesh, a state in Southern India.”
As Michele and Arjun continued kissing, touching, and fucking, Kincaid began to read an instructional passage from “The Medieval Text of Shiva:”
“When lovers, with legs stretched rigid
and feet caressing feet,
make love according to their hearts' desire,
"tantra" scholars call it "Sampada" (Equal Feet)
and agree it is a way to ecstasy.”
“Stiff as a pole in the bed's center,
she lies making love,
cooing and warbling like a woodpigeon,
the jewel of her clitoris well-polished:
this is Mausala" (the Pestle).”
“When she lies on her back
with her two thighs pressed tightly together
and you make love to her,
keeping your thighs outside hers,
it is "Gramya" (the Rustic).”
“If, encircling and trapping
her thighs with yours,
you grip so hard that she cries out in pain,
it is "Ratipasha" (Love's Noose),
a device most charming to the ladies.”
“Her limbs, entwined in yours
like tendrils of fragrant jasmine creeper,
draw taut and slowly relax
in the gentle rhythm of linga and yoni:
this is "Lataveshta" (the Clinging Creeper).”
“She draws her limbs together,
clasping her knees tightly to her breasts,
her yoni, like an opening bud,
offered up for pleasure:
this is known as "Mukula" (the Bud).”
“When she draws up her knees
and you clamp yours about her raised thighs,
trapping them in a tight knot
while riding saddle upon her buttocks
and kissing her, it is "Shankha" (the Couch).”
and feet caressing feet,
make love according to their hearts' desire,
"tantra" scholars call it "Sampada" (Equal Feet)
and agree it is a way to ecstasy.”
“Stiff as a pole in the bed's center,
she lies making love,
cooing and warbling like a woodpigeon,
the jewel of her clitoris well-polished:
this is Mausala" (the Pestle).”
“When she lies on her back
with her two thighs pressed tightly together
and you make love to her,
keeping your thighs outside hers,
it is "Gramya" (the Rustic).”
“If, encircling and trapping
her thighs with yours,
you grip so hard that she cries out in pain,
it is "Ratipasha" (Love's Noose),
a device most charming to the ladies.”
“Her limbs, entwined in yours
like tendrils of fragrant jasmine creeper,
draw taut and slowly relax
in the gentle rhythm of linga and yoni:
this is "Lataveshta" (the Clinging Creeper).”
“She draws her limbs together,
clasping her knees tightly to her breasts,
her yoni, like an opening bud,
offered up for pleasure:
this is known as "Mukula" (the Bud).”
“When she draws up her knees
and you clamp yours about her raised thighs,
trapping them in a tight knot
while riding saddle upon her buttocks
and kissing her, it is "Shankha" (the Couch).”
As Kincaid finished reading the text, Arjun knew that the time for him to stop had arrived, as he whispered to Michele that, “you are the most beautiful woman in the world. I hope someday that I am lucky enough to find a woman with as much passion as yourself.” To which Michele replied “you will, you will,” and then kissed him deeply for the final time of the session as Atikur approached the bed to demonstrate the sitting positions of the Kama Sutra. As Arjun dislodged, he rolled off the bed and said to his brother in his native language that they were now both men, but that they need to prove to their mentor that they could satisfy a woman such as Michele, to which his brother in arms nodded his head yes, and took a lotus position on the bed as he prepared to demonstrate the sitting positions.
Michele was breathless from the sensuous and tender fucking that her pussy had just received, as she Arjun and Atikur her now sweat slicked body into a sitting position so that she was seated, mouth to mouth, arm against arm, and thigh against thigh in the "Kaurma" or Tortoise position as Artikur’s cock slipped easily into her. Of the two boys, it was Artikur who was the biggest and longest she thought as he whispered to her to show the students the "Paravartita," or the Turning, which is the lovers thighs, if they are still joined, are raised, so as to reach maximum depth with the woman’s vagina.
Kincaid then continued to explain, as Artikur whispered in Michele’s ear as he coached her performance, in between licking on her supple neck, that “If within the cave of her thighs you sit rotating your hips like a black bee, it is "Markata," or ‘The Monkey, and if, in this pose, you turn away from her, it is the "Marditaka, or ‘Crushing Spices’.” Atikur then whispered to Michele that she need to sit with raised thighs and then place her feet on either side his waist so that he could enter her repeatedly as he performed the “Kshudgaga” by forcefully, but not painfully strike repeated blows to her sensitive breasts. As Atikur slapped her firm tits, she felt the sting of his palm trigger even more juices to flow as she closed her eyes as her now sweaty and damp hair covered her ecstasy entranced face.
Atikur, who continued to follow his mentor’s instructions in French then leaned into Michele and whispered to her to now sit wth both of her knees drawn up to her body so that he could mirror her posture into what is known to the experts of Kama Sutra as the “Yugmadada”, or the ‘foot yoke.’ After a minute in this position, Atikur the instructed Michele to sit up erect, and then fold one leg into her body, and stretch the other along the bed so that he could mirror her again into the ‘feet yoke’; position of the Yugmadada. After a few more moments of pumping Michele in this position Atikur told her to extend her left leg and encircle his waist with her right leg, to which he did the same to her in the ‘Svastika,’ or swastika position.
Once they were in the swastika position, as they continued to passionately kiss and explore each other’s tongues and mouths, Kincaid said to the class, *that this position is an ancient good-luck talisman based on the symbolism of a cross whirling sun-wise. The Nazis used it the wrong way round, whirling widdershins, and the Indian pundits always said this was sacrilegious and would doom them.”
Kincaid then continued on to instruct, as he said, “look how they sit face to face in bed, her breasts pressed tight against Atikur’s chest, as each of them lock their heels behind the other's waist, and lean back clasping one another's wrists. Now Atikur, set the swing gently in motion, so that your beloved, in pretended fear, clings to your body with her flawless limbs, the results of which should be her cooing and moaning with even more pleasure. This class is the "Dolita," or as most say, The Swing”. The results of being in the swing were exactly as Kincaid described as Michele began to coo and moan even more as she tried to find and force to the surface her first orgasm of the day. However, as Kincaid had instructed, neither protégé was to make Michele cum, as her own orgasm would likely trigger them to cum, and thus they would not be able to perform the entire two hour practical demonstration.
As Michele cooed and moaned in the swing, Atikur, who was even more limber than Michele, began to caress her nipples with his toes, and then had her press her feet against his sweaty and muscular bare chest, all the while they held each other’s hands in the “Kaurma” or the Tortise Position. After several strong strokes, Atikur then raised one of Michele’s feet to point directly over her head and then told her to steady it with her hands as they performed what is called the “Mayura,” or the Peacock Position, but only long enough for her young and boyish lover to then grasp her ankles and fasten like a chain behind his neck so that they could make love in the “Padma” or The Lotus Position.
The Lotus Position elicited numerous yelps and also caused a small orgasmic tremor, after which Atikur sat erect, gripped her waist, and pull Michele on to him, so that their loins continuously slapped together with a sound like that of a flapping of elephants' ear, which Atikur said to Michele, as began to reach for her breasts was the "Kirtibandha," or The Knot of Fame Position. As Atikur continued to pound, he knelt down between her thighs, tickled her breasts and under her arms, as he called her 'my lovely darling' while at the same time he printed deep nailmarks around her nipples, the pain of which only caused her to moan louder as he finished and claimed "Jaya," or “Victory,” as he heard Michele begging for him to never stop. Which he then did as he kissed her deeply and said softly, “I shall return,” and then dismounted and turned the next demonstration over to Anjun.
As Atikur dismounted Michele, Kincaid told the class that it was now time for a demonstration of the many rear entry positions, all of which are described in the Kama Sutra. Anjun motioned for Michele to come over to the edge of the bed, turn over, raise her hips so that he could enter her and they she could demonstrate what Kincaid would be describing to the class as his favorite set of positions in the Kama Sutra. As Michele got in place Anjun told her that for this demonstration he would do all of the work, and for her to just relax and enjoy the “ride,” to which she just smiled at him with a sexy grin and licked her lips, and then turned to Kincaid to let him know that she was ready.
Once Michele was ready, which she indicated to Kincaid with a wink of her eye, the lecture and demonstration continued as Kincaid said, “As you can see, the courtesan is now bent forward and is reaching her arms out toward the bedstead, with her firm buttocks now being raised high by Anjun so that he can cup his hands like serpents’ hoods and squeeze her breasts together in the ‘Dhenuka,’ or the Milch Cow Position. Now, if you mount her like a dog, as Anjun is now doing by gripping her waist, and she twists around to gaze in your face, this is what experts in the art of love say is the ‘Svanaka,’ or The Dog Position, which I must add is not the same as doing it doggie style.” To which all of the students laughed.
As the laughter died down, and as Anjun continued slicing into Michele’s upturned pussy, as droplets of perspiration began to form on the small of her and slowly drip into her crack, Kincaid continued with his lecture as Anjun positioned her in the various rear-entry as his teacher commanded, “If the lady, eager for love, goes on all fours, humping her back like a doe, as she is doing now, and you enjoy her from behind, rutting as though you'd lost all human nature, it is "Hirana," or The Deer Position. When, with lotus-feet are set well-apart on the ground, she bends,placing a hand upon each thigh, and you take her from the rear, it is "Gardabha" (the Ass).
The pleasure Michele was receiving in the various positions were near orgasmic as Anjun’s cock was aligned perfectly to her g-spot as she moaned and begged for her young buck to fuck her harder. Kincaid smiled as he knew exactly why Michele was moaning, for he had specifically taught his protégé to make the most of his smaller cock to make even the most experienced of women beg.
“As Anjun places her so that she lies on her stomach he will now seize her ankles in one hand, lift them high and make love to her, tilting her chin back with your other hand, in a position called the "Marjara," or The Cat. Now, as she lies on her front, like so, we se her grasp her ankles in her own hands and pull them up behind her in the oftens difficult posture, which is known to Kama Sutra experts as the "Mallaka,” or The Wrestler.”
As Michele performed The Wrestler, the boys watched in awe as she strained to hold herself still as Anjun pounded her harder and harder until he tapped her on the shoulder as Kincaid elicited a new command for Michele to rise and to walk over to the soft bearskin carpet that lay on the cold linoleum floor as Kincaid commented that “When your mistress lays her breasts, arms and forehead to the carpet, then raise her buttocks high, as you see the courtesan is doing now, and guide your penis into her pussy. This is called the "Aibha," The Elephant. The next rear entry position requires that the female stand on her palms and feet; as you stand behind her and lift one of her feet to your shoulder, enjoying the lovely girl in the "Traivikrama," or The Stride Position.”
This position made the blood rush to Michele’s head as she watched the boys see an incredibly unnatural position, but there was definitely more to come as Kincaid commanded her to, “Seize her feet and lift them high, like a wheel barrow, and then drive your penis into her yoni in the "Kulisha," or The Thunderbolt Position, and then pleasure her with vigorous strokes, until her arms begin to tremble and shake.” All of which is exactly what happened as Michele’s arms tried to sustain all of her weight until she called to her young buck that she was ready to fall.
As Kincaid saw his lover’s arms about ready to collapse, he instructed Anjun to “kneel, as in archery, take her on your lap and bend her forward till her breasts are pressed to her thighs in the "Ekabandha," or One Knot Position.” The forced and submissive nature of this position caused Michele a great deal of pressure on her longs as she tried to breath normally. Anjun had placed her in a position that she was now breathing only one fourth of the air as she felt herself gasp and beg for release until finally their session concluded as Kincaid commanded Anjun to “now lie on her side, facing away, so that she is in a position to offer you her buttocks so that your penis can penetrate her house of love in this softer version of the "Nagabandha," which is as you must remember at the beginning of this lesson on the rear end positions is known also as The Elephant Position.”
As Anjun continued to perform the last of the rear entry positions, Kincaid motioned for Artikur to help Michele up and for him to help his brother prepare her for their demonstration on the techniques of the cunnilingus positions of the Kama Sutra. As Kincaid lectured, the boys, who were now men, used soft cloths to wipe the sheen of sweat from Michele’s moist body. When Kincaid saw that the three of them were ready he instructed the boys to lay Michele back on the bed so that her pussy faced the class. He then instructed the men to get on either side of her, grab her ankles and then spread her legs wide so that her dripping pussy glistened in the bright candlelight.
As Michele lay spread-eagle on the bed, with her red and plump shaven pussy lips clit on display for all to see, as Artikur and Anjun firmly pinned Michele down and held her legs taught with their powerful arms and simultaneously licked and sucked on her nipples like newborns for their first feeding, she reached down and slowly stroked each of their wet cocks. While the three of them sucked and stroked, Kincaid turn to the classroom and pointed at a young Algerian lad, who had that day turned 18, and who would be the lucky one to demonstrate for his classmates the techniques of the art of cunnilingus. However, as their teacher had promised them the week before, none of the students would leave his classroom today feeling unfulfilled.
The incoming Algerian college freshman walked over to, and then kneeled down in front of Michele’s sweet smelling pussy lips that now were twitching in anticipation of what was to come, as Kincaid instructed his student to, “With delicate fingertips, pinch the arched lips of her house of love very very slowly together, and kiss them as though you kissed her lower lip, this is "Adhara-sphuritam," or the Quivering Kiss. Now spread, indeed cleave asunder, that archway with your nose and let your tongue gently probe her pussy with your nose, lips and chin slowly circling: so that it becomes a "Jihva-bhramanaka," or a Circling Tongue. Very good Abu, you can smell just how much she is enjoying being licked and probed. Licking a beautiful woman’s pussy should be approached like one would enjoy a fine wine.”
“Now let your tongue rest for a moment in the archway to the flower-bowed Lord's temple before entering to worship vigorously, causing her seed to flow: this is "Jihva-mardita," or the Tongue Massage. Next, fasten your lips to hers, and take deep long kisses from this lovely one, your beloved, nibbling at her and sucking hard at her clitoris. Very good my son, now cup with your palms and lift her young buttocks, then let your tongue-tip probe her navel in a slithering motion down to her moist lips and then rotate your tongue in the archway of her love-god's dwelling and lap her love-water. Ah! That’s it! Now take your index finger and slowly, but gently, slide it into her moist little ass-hole. Remember, the walls of a woman’s ass are fragile, so you never want to drive in without lubricant. Now, you see how much more juices flow from her now that you have lubricated and invaded her most private of orifices?”
“OK, now it is time to gently stir the root of her thighs by first slowly adding a second finger into her ass and then driving them deep, until you can turn them and rub her pussy wall through the thin membrane that separates her channels, while, with you’re your other hand you flick and tease her clitoris, which is fortunately most accessible as Anjun and Artikur are now holding and pulling her legs wider and tighter. Now, with a simple u-shaped fluted tongue drink her nectar from this sacred spring.”
“Remember men, the taste of a woman is one which you can never forget, however, remember that oral pleasure is a two way street, which Michele will now show each and everyone of you in our final practical demonstration of the evening. Abu, please take your seat, as well as all of you, and watch as our lovely courtesan shows you, through my description, and my protégés instructions, the oral pleasures and magic of the Kama Sutra’s Fellatio Techniques.”
As Abu took his seat, the men lowered Michele’s limber legs and instructed her to take a squatting position in front of both of them. Abu’s tongue lashing made her pussy drip her juices into a sweet smelling puddle on the floor. It was too bad, she thought, that she had yet to have much in the way of any oral sexual pleasure, with the exception of Katya’s party and her time in the shower and hot tub with Monique, since she had arrived in Paris, but she knew that that would likely change once she told Kincaid how much she loved the feel of Abu’s inexperienced tongue.
Now, as the dark skinned Indian cocks stood rigid in front of her face, she inhaled deeply to savor the smell of her own juices and the musk of their cocks, which were still wet with her natural honey and the drippings of their precum. It was a smell unlike no other bottled on Earth, this intoxicating mixture to the senses, and the promised taste of the spunk that was now bubbling in Abjun’s and Atikur’s testicle sacs, that now mesmerized her and caused her to focus on their whispered instructions. Then, as she took both of their love muscles firmly in hand and, upon Atikur’s and Abjun’s commands, she proceeded to desperately pump and suck from them the salty mojo and male life force that she needed to make her feel complete, and after she had emptied these two, there would be ten more young and virile teenaged cocks to go.
As Michele sucked and sucked, Kincaid provided a a running commentary, as he said, which he began, when she first held the brothers cocks, that “when your lover catches your penis in her hand and, shaping her lips to an 'O', lays them lightly to its tip, moving her head in tiny circles, in this first step is called "Nimitta." Next, grasping its head in her hand, she clamps her lips tightly about the shaft, first on one side then the other, taking great care that her teeth don't hurt you.”
“Now watch she takes the head of each penis gently between her lips, taking turns pressing, kissing it tenderly and pulling at its soft skin, a technique called the "Bahiha-samdansha," and if next she allows the head to slide completely into her mouth and presses the shaft firmly between her lips, holding a moment before pulling away, it is called the "Antaha-samdansha.”
“When, taking your penis in her hand and making her lips very round, she presses fierce kisses along its whole length, sucking as she would at your lower lip, this is called the "Chumbitaka." But if, while kissing, she lets her tongue flick all over your penis and then, pointing it, strikes repeatedly at the sensitive glans-tip, it becomes the "Parimrshtaka.".
And now, as you can seen she is fired by passion, so she will now take each of their penises deep into her mouth, pulling upon them and sucking as vigorously on them as though she were stripping clean a mango-stone. And now, as you can tell by both the look on the faces of my protégés, and the way that she is stroking their cocks, that our lovely courtesan senses that their orgasms are imminent. Then, as she senses their climactic release, will then swallow, or as they say deep-throat, the whole penis and continue to suck and work upon the cock with her lips and tongue, until each explodes and streams down her throat their manly seed, the term of which is called the "Sangara," or Swallowed Whole. This climactic and final act only ends when the man is spent and has emptied his load.”
“Now watch lads as our courtesan is able to feed from one, while she uses her expert fingers to prolong the orgasmic release of the other. Our courtesan is a true master of Fellatio as you can see in the way she uses her lips and tongue to apply just the right amount of pushing and pulling pressure on the young men one of whom who should be ready to cum and deposit his seed now.”
Seconds after Kincaid predicted an orgasmic release, Abjun announced to the room with a moan that he was cumming as Michele clamped her lips tight around his cock and then felt the hot cum hit the back of her throat as she sucked and slurped his cum down, and then refused to stop until just about the point where she sensed that his knees were going to buckle and his legs were ready to give out on him. For Michele the taste of Abjun was heaven as his spunk was tangy and not as salty as the others she had tasted since her arrival in Paris. As she sucked and feasted from Abjun she was able, through her expert manipulation of his cock and scrotum, prolong and time his release until after his brother had unloaded his first.
As Abjun stumbled backward, while a long thin stream of spit and cum dripped from his cock and Michele’s lips, as she now turned her attention to the larger of the two brothers. Michele deep throated his pulsing prick and began bobbing her head as she sucked and sucked in a desperate effort to taste his manly juice. She was now firmly in control as the only noises one could hear was Atikur’s heavy breathing and moans as well as the slurping sounds she made as she bathed his cock in spit. As Michele continued her oral assault, as Atikur held and guided her head, she reached around with both hands, spread his ass cheeks, and then slowly began to work two index fingers into his bung hole. It was right at the moment when Michele’s fingers penetrated the sweat-lubricated bung hole of Atikur’s that he then pushed her face down on his cock, as he spewed forth his sweet seed down her throat. As Michele sucked and feasted she held her young lover firm, with her fingers slowly digging further up his ass, until finally his legs became wobbly and he begged from her his release, but not until she had sucked down the last of his spunk.
As Michele helped Atikur to the bed so he could recover, Kincaid asked her in both French and English, “are you still hungry?” To which she stood up and turned to face the class with a wide eyed and mischievous smile, as she licked up the drops of Atikur’s cum that were still moist on her lips, and simply said “Oui!” For the final hour of the class, Michele serviced each of Kincaid’s student’s, all of whom had never known, before this class, what true oral pleasure was. In return for the pleasure she gave these young guns, all of whom could last no more than five minutes before they melted her mouth, Michele was able to smell and taste for herself the different scents, textures, flavors, and variety of the world's masculinity, in just one setting.
Thirty minutes after the practical demonstration had ended and the students had left the Louvre, Michele was treated to a very sensual sponge bath from the strong hands of Atikur and Abjun, who, according to Kincaid, would be her attendants for the next several days, as he needed to travel out of town in order to take care of some pressing business, the details of which he was purposely vague, but which he assured her involved going back to America to talk to the FBI about her husband. The thought of having these two young Indian studs at her beckon call truly intrigued Michele, as she wondered just how soon it would be before she again savored the pleasures that she knew these two handsome and physically virle young men could give her.
After her young lovers, which was now how she thought of the brothers, finished cleaning her skin and then brushed her tussled hair, they rewrapped her Sari and then took all of their Kama Sutra props back to their art class supply room. As the boys put the last of the supplies back into the art supply room, they dressed back into their traditional Indian clothing and followed Michele and Kincaid, who rode in the Porsche, by taxi, to the Kyber Pass Restaurant where the four of them, along with Luc who was awaiting their arrival, spent the next two hours eating, drinking, smoking, and discussing a myriad of topics from the Kama Sutra to the wonders and beauty of India and Japan, which is where the brothers would soon be leaving to in order to study the Japanese erotic arts, under the personal tutelage of Kincaid's friend, Akira Sensei.
Michele was breathless from the sensuous and tender fucking that her pussy had just received, as she Arjun and Atikur her now sweat slicked body into a sitting position so that she was seated, mouth to mouth, arm against arm, and thigh against thigh in the "Kaurma" or Tortoise position as Artikur’s cock slipped easily into her. Of the two boys, it was Artikur who was the biggest and longest she thought as he whispered to her to show the students the "Paravartita," or the Turning, which is the lovers thighs, if they are still joined, are raised, so as to reach maximum depth with the woman’s vagina.
Kincaid then continued to explain, as Artikur whispered in Michele’s ear as he coached her performance, in between licking on her supple neck, that “If within the cave of her thighs you sit rotating your hips like a black bee, it is "Markata," or ‘The Monkey, and if, in this pose, you turn away from her, it is the "Marditaka, or ‘Crushing Spices’.” Atikur then whispered to Michele that she need to sit with raised thighs and then place her feet on either side his waist so that he could enter her repeatedly as he performed the “Kshudgaga” by forcefully, but not painfully strike repeated blows to her sensitive breasts. As Atikur slapped her firm tits, she felt the sting of his palm trigger even more juices to flow as she closed her eyes as her now sweaty and damp hair covered her ecstasy entranced face.
Atikur, who continued to follow his mentor’s instructions in French then leaned into Michele and whispered to her to now sit wth both of her knees drawn up to her body so that he could mirror her posture into what is known to the experts of Kama Sutra as the “Yugmadada”, or the ‘foot yoke.’ After a minute in this position, Atikur the instructed Michele to sit up erect, and then fold one leg into her body, and stretch the other along the bed so that he could mirror her again into the ‘feet yoke’; position of the Yugmadada. After a few more moments of pumping Michele in this position Atikur told her to extend her left leg and encircle his waist with her right leg, to which he did the same to her in the ‘Svastika,’ or swastika position.
Once they were in the swastika position, as they continued to passionately kiss and explore each other’s tongues and mouths, Kincaid said to the class, *that this position is an ancient good-luck talisman based on the symbolism of a cross whirling sun-wise. The Nazis used it the wrong way round, whirling widdershins, and the Indian pundits always said this was sacrilegious and would doom them.”
Kincaid then continued on to instruct, as he said, “look how they sit face to face in bed, her breasts pressed tight against Atikur’s chest, as each of them lock their heels behind the other's waist, and lean back clasping one another's wrists. Now Atikur, set the swing gently in motion, so that your beloved, in pretended fear, clings to your body with her flawless limbs, the results of which should be her cooing and moaning with even more pleasure. This class is the "Dolita," or as most say, The Swing”. The results of being in the swing were exactly as Kincaid described as Michele began to coo and moan even more as she tried to find and force to the surface her first orgasm of the day. However, as Kincaid had instructed, neither protégé was to make Michele cum, as her own orgasm would likely trigger them to cum, and thus they would not be able to perform the entire two hour practical demonstration.
As Michele cooed and moaned in the swing, Atikur, who was even more limber than Michele, began to caress her nipples with his toes, and then had her press her feet against his sweaty and muscular bare chest, all the while they held each other’s hands in the “Kaurma” or the Tortise Position. After several strong strokes, Atikur then raised one of Michele’s feet to point directly over her head and then told her to steady it with her hands as they performed what is called the “Mayura,” or the Peacock Position, but only long enough for her young and boyish lover to then grasp her ankles and fasten like a chain behind his neck so that they could make love in the “Padma” or The Lotus Position.
The Lotus Position elicited numerous yelps and also caused a small orgasmic tremor, after which Atikur sat erect, gripped her waist, and pull Michele on to him, so that their loins continuously slapped together with a sound like that of a flapping of elephants' ear, which Atikur said to Michele, as began to reach for her breasts was the "Kirtibandha," or The Knot of Fame Position. As Atikur continued to pound, he knelt down between her thighs, tickled her breasts and under her arms, as he called her 'my lovely darling' while at the same time he printed deep nailmarks around her nipples, the pain of which only caused her to moan louder as he finished and claimed "Jaya," or “Victory,” as he heard Michele begging for him to never stop. Which he then did as he kissed her deeply and said softly, “I shall return,” and then dismounted and turned the next demonstration over to Anjun.
As Atikur dismounted Michele, Kincaid told the class that it was now time for a demonstration of the many rear entry positions, all of which are described in the Kama Sutra. Anjun motioned for Michele to come over to the edge of the bed, turn over, raise her hips so that he could enter her and they she could demonstrate what Kincaid would be describing to the class as his favorite set of positions in the Kama Sutra. As Michele got in place Anjun told her that for this demonstration he would do all of the work, and for her to just relax and enjoy the “ride,” to which she just smiled at him with a sexy grin and licked her lips, and then turned to Kincaid to let him know that she was ready.
Once Michele was ready, which she indicated to Kincaid with a wink of her eye, the lecture and demonstration continued as Kincaid said, “As you can see, the courtesan is now bent forward and is reaching her arms out toward the bedstead, with her firm buttocks now being raised high by Anjun so that he can cup his hands like serpents’ hoods and squeeze her breasts together in the ‘Dhenuka,’ or the Milch Cow Position. Now, if you mount her like a dog, as Anjun is now doing by gripping her waist, and she twists around to gaze in your face, this is what experts in the art of love say is the ‘Svanaka,’ or The Dog Position, which I must add is not the same as doing it doggie style.” To which all of the students laughed.
As the laughter died down, and as Anjun continued slicing into Michele’s upturned pussy, as droplets of perspiration began to form on the small of her and slowly drip into her crack, Kincaid continued with his lecture as Anjun positioned her in the various rear-entry as his teacher commanded, “If the lady, eager for love, goes on all fours, humping her back like a doe, as she is doing now, and you enjoy her from behind, rutting as though you'd lost all human nature, it is "Hirana," or The Deer Position. When, with lotus-feet are set well-apart on the ground, she bends,placing a hand upon each thigh, and you take her from the rear, it is "Gardabha" (the Ass).
The pleasure Michele was receiving in the various positions were near orgasmic as Anjun’s cock was aligned perfectly to her g-spot as she moaned and begged for her young buck to fuck her harder. Kincaid smiled as he knew exactly why Michele was moaning, for he had specifically taught his protégé to make the most of his smaller cock to make even the most experienced of women beg.
“As Anjun places her so that she lies on her stomach he will now seize her ankles in one hand, lift them high and make love to her, tilting her chin back with your other hand, in a position called the "Marjara," or The Cat. Now, as she lies on her front, like so, we se her grasp her ankles in her own hands and pull them up behind her in the oftens difficult posture, which is known to Kama Sutra experts as the "Mallaka,” or The Wrestler.”
As Michele performed The Wrestler, the boys watched in awe as she strained to hold herself still as Anjun pounded her harder and harder until he tapped her on the shoulder as Kincaid elicited a new command for Michele to rise and to walk over to the soft bearskin carpet that lay on the cold linoleum floor as Kincaid commented that “When your mistress lays her breasts, arms and forehead to the carpet, then raise her buttocks high, as you see the courtesan is doing now, and guide your penis into her pussy. This is called the "Aibha," The Elephant. The next rear entry position requires that the female stand on her palms and feet; as you stand behind her and lift one of her feet to your shoulder, enjoying the lovely girl in the "Traivikrama," or The Stride Position.”
This position made the blood rush to Michele’s head as she watched the boys see an incredibly unnatural position, but there was definitely more to come as Kincaid commanded her to, “Seize her feet and lift them high, like a wheel barrow, and then drive your penis into her yoni in the "Kulisha," or The Thunderbolt Position, and then pleasure her with vigorous strokes, until her arms begin to tremble and shake.” All of which is exactly what happened as Michele’s arms tried to sustain all of her weight until she called to her young buck that she was ready to fall.
As Kincaid saw his lover’s arms about ready to collapse, he instructed Anjun to “kneel, as in archery, take her on your lap and bend her forward till her breasts are pressed to her thighs in the "Ekabandha," or One Knot Position.” The forced and submissive nature of this position caused Michele a great deal of pressure on her longs as she tried to breath normally. Anjun had placed her in a position that she was now breathing only one fourth of the air as she felt herself gasp and beg for release until finally their session concluded as Kincaid commanded Anjun to “now lie on her side, facing away, so that she is in a position to offer you her buttocks so that your penis can penetrate her house of love in this softer version of the "Nagabandha," which is as you must remember at the beginning of this lesson on the rear end positions is known also as The Elephant Position.”
As Anjun continued to perform the last of the rear entry positions, Kincaid motioned for Artikur to help Michele up and for him to help his brother prepare her for their demonstration on the techniques of the cunnilingus positions of the Kama Sutra. As Kincaid lectured, the boys, who were now men, used soft cloths to wipe the sheen of sweat from Michele’s moist body. When Kincaid saw that the three of them were ready he instructed the boys to lay Michele back on the bed so that her pussy faced the class. He then instructed the men to get on either side of her, grab her ankles and then spread her legs wide so that her dripping pussy glistened in the bright candlelight.
As Michele lay spread-eagle on the bed, with her red and plump shaven pussy lips clit on display for all to see, as Artikur and Anjun firmly pinned Michele down and held her legs taught with their powerful arms and simultaneously licked and sucked on her nipples like newborns for their first feeding, she reached down and slowly stroked each of their wet cocks. While the three of them sucked and stroked, Kincaid turn to the classroom and pointed at a young Algerian lad, who had that day turned 18, and who would be the lucky one to demonstrate for his classmates the techniques of the art of cunnilingus. However, as their teacher had promised them the week before, none of the students would leave his classroom today feeling unfulfilled.
The incoming Algerian college freshman walked over to, and then kneeled down in front of Michele’s sweet smelling pussy lips that now were twitching in anticipation of what was to come, as Kincaid instructed his student to, “With delicate fingertips, pinch the arched lips of her house of love very very slowly together, and kiss them as though you kissed her lower lip, this is "Adhara-sphuritam," or the Quivering Kiss. Now spread, indeed cleave asunder, that archway with your nose and let your tongue gently probe her pussy with your nose, lips and chin slowly circling: so that it becomes a "Jihva-bhramanaka," or a Circling Tongue. Very good Abu, you can smell just how much she is enjoying being licked and probed. Licking a beautiful woman’s pussy should be approached like one would enjoy a fine wine.”
“Now let your tongue rest for a moment in the archway to the flower-bowed Lord's temple before entering to worship vigorously, causing her seed to flow: this is "Jihva-mardita," or the Tongue Massage. Next, fasten your lips to hers, and take deep long kisses from this lovely one, your beloved, nibbling at her and sucking hard at her clitoris. Very good my son, now cup with your palms and lift her young buttocks, then let your tongue-tip probe her navel in a slithering motion down to her moist lips and then rotate your tongue in the archway of her love-god's dwelling and lap her love-water. Ah! That’s it! Now take your index finger and slowly, but gently, slide it into her moist little ass-hole. Remember, the walls of a woman’s ass are fragile, so you never want to drive in without lubricant. Now, you see how much more juices flow from her now that you have lubricated and invaded her most private of orifices?”
“OK, now it is time to gently stir the root of her thighs by first slowly adding a second finger into her ass and then driving them deep, until you can turn them and rub her pussy wall through the thin membrane that separates her channels, while, with you’re your other hand you flick and tease her clitoris, which is fortunately most accessible as Anjun and Artikur are now holding and pulling her legs wider and tighter. Now, with a simple u-shaped fluted tongue drink her nectar from this sacred spring.”
“Remember men, the taste of a woman is one which you can never forget, however, remember that oral pleasure is a two way street, which Michele will now show each and everyone of you in our final practical demonstration of the evening. Abu, please take your seat, as well as all of you, and watch as our lovely courtesan shows you, through my description, and my protégés instructions, the oral pleasures and magic of the Kama Sutra’s Fellatio Techniques.”
As Abu took his seat, the men lowered Michele’s limber legs and instructed her to take a squatting position in front of both of them. Abu’s tongue lashing made her pussy drip her juices into a sweet smelling puddle on the floor. It was too bad, she thought, that she had yet to have much in the way of any oral sexual pleasure, with the exception of Katya’s party and her time in the shower and hot tub with Monique, since she had arrived in Paris, but she knew that that would likely change once she told Kincaid how much she loved the feel of Abu’s inexperienced tongue.
Now, as the dark skinned Indian cocks stood rigid in front of her face, she inhaled deeply to savor the smell of her own juices and the musk of their cocks, which were still wet with her natural honey and the drippings of their precum. It was a smell unlike no other bottled on Earth, this intoxicating mixture to the senses, and the promised taste of the spunk that was now bubbling in Abjun’s and Atikur’s testicle sacs, that now mesmerized her and caused her to focus on their whispered instructions. Then, as she took both of their love muscles firmly in hand and, upon Atikur’s and Abjun’s commands, she proceeded to desperately pump and suck from them the salty mojo and male life force that she needed to make her feel complete, and after she had emptied these two, there would be ten more young and virile teenaged cocks to go.
As Michele sucked and sucked, Kincaid provided a a running commentary, as he said, which he began, when she first held the brothers cocks, that “when your lover catches your penis in her hand and, shaping her lips to an 'O', lays them lightly to its tip, moving her head in tiny circles, in this first step is called "Nimitta." Next, grasping its head in her hand, she clamps her lips tightly about the shaft, first on one side then the other, taking great care that her teeth don't hurt you.”
“Now watch she takes the head of each penis gently between her lips, taking turns pressing, kissing it tenderly and pulling at its soft skin, a technique called the "Bahiha-samdansha," and if next she allows the head to slide completely into her mouth and presses the shaft firmly between her lips, holding a moment before pulling away, it is called the "Antaha-samdansha.”
“When, taking your penis in her hand and making her lips very round, she presses fierce kisses along its whole length, sucking as she would at your lower lip, this is called the "Chumbitaka." But if, while kissing, she lets her tongue flick all over your penis and then, pointing it, strikes repeatedly at the sensitive glans-tip, it becomes the "Parimrshtaka.".
And now, as you can seen she is fired by passion, so she will now take each of their penises deep into her mouth, pulling upon them and sucking as vigorously on them as though she were stripping clean a mango-stone. And now, as you can tell by both the look on the faces of my protégés, and the way that she is stroking their cocks, that our lovely courtesan senses that their orgasms are imminent. Then, as she senses their climactic release, will then swallow, or as they say deep-throat, the whole penis and continue to suck and work upon the cock with her lips and tongue, until each explodes and streams down her throat their manly seed, the term of which is called the "Sangara," or Swallowed Whole. This climactic and final act only ends when the man is spent and has emptied his load.”
“Now watch lads as our courtesan is able to feed from one, while she uses her expert fingers to prolong the orgasmic release of the other. Our courtesan is a true master of Fellatio as you can see in the way she uses her lips and tongue to apply just the right amount of pushing and pulling pressure on the young men one of whom who should be ready to cum and deposit his seed now.”
Seconds after Kincaid predicted an orgasmic release, Abjun announced to the room with a moan that he was cumming as Michele clamped her lips tight around his cock and then felt the hot cum hit the back of her throat as she sucked and slurped his cum down, and then refused to stop until just about the point where she sensed that his knees were going to buckle and his legs were ready to give out on him. For Michele the taste of Abjun was heaven as his spunk was tangy and not as salty as the others she had tasted since her arrival in Paris. As she sucked and feasted from Abjun she was able, through her expert manipulation of his cock and scrotum, prolong and time his release until after his brother had unloaded his first.
As Abjun stumbled backward, while a long thin stream of spit and cum dripped from his cock and Michele’s lips, as she now turned her attention to the larger of the two brothers. Michele deep throated his pulsing prick and began bobbing her head as she sucked and sucked in a desperate effort to taste his manly juice. She was now firmly in control as the only noises one could hear was Atikur’s heavy breathing and moans as well as the slurping sounds she made as she bathed his cock in spit. As Michele continued her oral assault, as Atikur held and guided her head, she reached around with both hands, spread his ass cheeks, and then slowly began to work two index fingers into his bung hole. It was right at the moment when Michele’s fingers penetrated the sweat-lubricated bung hole of Atikur’s that he then pushed her face down on his cock, as he spewed forth his sweet seed down her throat. As Michele sucked and feasted she held her young lover firm, with her fingers slowly digging further up his ass, until finally his legs became wobbly and he begged from her his release, but not until she had sucked down the last of his spunk.
As Michele helped Atikur to the bed so he could recover, Kincaid asked her in both French and English, “are you still hungry?” To which she stood up and turned to face the class with a wide eyed and mischievous smile, as she licked up the drops of Atikur’s cum that were still moist on her lips, and simply said “Oui!” For the final hour of the class, Michele serviced each of Kincaid’s student’s, all of whom had never known, before this class, what true oral pleasure was. In return for the pleasure she gave these young guns, all of whom could last no more than five minutes before they melted her mouth, Michele was able to smell and taste for herself the different scents, textures, flavors, and variety of the world's masculinity, in just one setting.
Thirty minutes after the practical demonstration had ended and the students had left the Louvre, Michele was treated to a very sensual sponge bath from the strong hands of Atikur and Abjun, who, according to Kincaid, would be her attendants for the next several days, as he needed to travel out of town in order to take care of some pressing business, the details of which he was purposely vague, but which he assured her involved going back to America to talk to the FBI about her husband. The thought of having these two young Indian studs at her beckon call truly intrigued Michele, as she wondered just how soon it would be before she again savored the pleasures that she knew these two handsome and physically virle young men could give her.
After her young lovers, which was now how she thought of the brothers, finished cleaning her skin and then brushed her tussled hair, they rewrapped her Sari and then took all of their Kama Sutra props back to their art class supply room. As the boys put the last of the supplies back into the art supply room, they dressed back into their traditional Indian clothing and followed Michele and Kincaid, who rode in the Porsche, by taxi, to the Kyber Pass Restaurant where the four of them, along with Luc who was awaiting their arrival, spent the next two hours eating, drinking, smoking, and discussing a myriad of topics from the Kama Sutra to the wonders and beauty of India and Japan, which is where the brothers would soon be leaving to in order to study the Japanese erotic arts, under the personal tutelage of Kincaid's friend, Akira Sensei.
No comments:
Post a Comment